The Weird Fiction Megapack Page 12

  The very stillness of the low-bosomed graves, the rigor and pallor of the tall shafts, the deepness of bedded cypress shadows, the inviolacy of death by which all things were invested, served to heighten the singular excitement that had fired Thulos’ blood. It was as if he had drunk a philtre spiced with mummia. All around him the mortuary silence seemed to burn and quiver with a thousand memories of Ilalotha, together with those expectations to which he had given as yet no formal image.…

  Once, with Ilalotha, he had visited the subterranean tomb of her ancestors; and, recalling its situation clearly, he came without indirection to the low-arched and cedar-darkened entrance. Rank nettles and fetid fumitories, growing thickly about the seldom-used adit, were crushed down by the tread of those who had entered there before Thulos; and the rusty, iron-wrought door sagged heavily inward on its loose hinges. At his feet there lay an extinguished flambeau, dropped, no doubt, by one of the departing sextons. Seeing it, he realized that he had brought with him neither candle nor lantern for the exploration of the vaults, and found in that providential torch an auspicious omen.

  Bearing the lit flambeau, he began his investigation. He gave no heed to the piled and dusty sarcophagi in the first reaches of the subterrane: for, during their past visit, Ilalotha had shown to him a niche at the innermost extreme, where, in due time, she herself would find sepulture among the members of that decaying line. Strangely, insidiously, like the breath of some vernal garden, the languid and luscious odor of jasmine swam to meet him through the musty air, amid the tiered presence of the dead; and it drew him to the sarcophagus that stood open between others tightly lidded. There he beheld Ilalotha lying in the gay garments of her funeral, with half-shut eyes and half-parted lips; and upon her was the same weird and radiant beauty, the same voluptuous pallor and stillness, that had drawn Thulos with a necromantic charm.

  “I knew that thou wouldst come, O Thulos,” she murmured, stirring a little, as if involuntarily, beneath the deepening ardor of his kisses that passed quickly from throat to bosom…

  The torch that had fallen from Thulos’ hand expired in the thick dust…

  Xantlicha, retiring to her chamber betimes, had slept illy. Perhaps she had drunk too much or too little of the dark, ardent vintages; perhaps her blood was fevered by the return of Thulos, and her jealousy still troubled by the hot kiss which he had laid on Ilalotha’s arm during the obsequies. A restlessness was upon her; and she rose well before the hour of her meeting with Thulos, and stood at her chamber window seeking such coolness as the night air might afford.

  The air, however, seemed heated as by the burning of hidden furnaces; her heart appeared to swell in her bosom and stifle her; and her unrest and agitation were increased rather than diminished by the spectacle of the moon-lulled gardens. She would have hurried forth to the tryst in the pavilion; but, despite her impatience, she thought it well to keep Thulos waiting. Leaning thus from her sill, she beheld Thulos when he passed amid the parterres and arbors below. She was struck by the unusual haste and intentness of his steps, and she wondered at their direction, which could bring him only to places remote from the rendezvous she had named. He disappeared from her sight in the cypress-lined alley that led to the north garden-gate; and her wonderment was soon mingled with alarm and anger when he did not return.

  It was incomprehensible to Xantlicha that Thulos, or any man, would dare to forget the tryst in his normal senses; and seeking an explanation, she surmised that the working of some baleful and potent sorcery was probably involved. Nor, in the light of certain incidents that she had observed, and much else that had been rumored, was it hard for her to identify the possible sorceress. Ilalotha, the queen knew, had loved Thulos to the point of frenzy, and had grieved inconsolably after his desertion of her. People said that she had wrought various ineffectual spells to bring him back; that she had vainly invoked demons and sacrificed to them, and had made futile invultuations and death-charms against Xantlicha. In the end, she had died of sheer chagrin and despair, or perhaps had slain herself with some undetected poison… But, as was commonly believed in Tasuun, a witch dying thus, with unslaked desires and frustrate cantrips, could turn herself into a lamia vampire and procure thereby the consummation of all her sorceries…

  The queen shuddered, remembering these things; and remembering also the hideous and malign transformation that was said to accompany the achievement of such ends: for those who used in this manner the power of hell must take on the very character and the actual semblance of infernal beings. Too well she surmised the destination of Thulos, and the danger to which he had gone forth if her suspicions were true. And, knowing that she might face an equal danger, Xantlicha determined to follow him.

  She made little preparation, for there was no time to waste; but took from beneath her silken bed-cushion a small, straight-bladed dagger that she kept always within reach. The dagger had been anointed from point to hilt with such venom as was believed efficacious against either the living or the dead. Bearing it in her right hand, and carrying in the other a slot-eyed lantern that she might require later, Xantlicha stole swiftly from the palace.

  The last lees of the evening’s wine ebbed wholly from her brain, and dim, ghastly fears awoke, warning her like the voices of ancestral phantoms. But, firm in her determination, she followed the path taken by Thulos; the path taken earlier by those sextons who had borne Ilalotha to her place of sepulture. Hovering from tree to tree, the moon accompanied her like a worm-hollowed visage. The soft, quick patter of her cothurns, breaking the white silence, seemed to tear the filmy cobweb pall that withheld from her a world of spectral abominations. And more and more she recalled, of those legendries that concerned such beings as Ilalotha; and her heart was shaken within her: for she knew that she would meet no mortal woman but a thing raised up and inspirited by the seventh hell. But amid the chill of these horrors, the thought of Thulos in the lamia’s arms was like a red brand that seared her bosom.

  Now the necropolis yawned before Xantlicha, and her path entered the cavernous gloom of far-vaulted funereal trees, as if passing into monstrous and shadowy mouths that were tusked with white monuments. The air grew dank and noisome, as if filled with the breathing of open crypts. Here the queen faltered, for it seemed that black, unseen cacodemons rose all about her from the graveyard ground, towering higher than the shafts and boles, and standing in readiness to assail her if she went farther. Nevertheless, she came anon to the dark adit that she sought. Tremulously she lit the wick of the dot-eyed lantern; and, piercing the gross underground darkness before her with its bladed beam, she passed with ill-subdued terror and repugnance into that abode of the dead…and perchance of the Undead.

  However, as she followed the first turnings of the catacomb, it seemed that she was to encounter nothing more abhorrent than charnel mold and century-sifted dust; nothing more formidable than the serried sarcophagi that lined the deeply hewn shelves of stone; sarcophagi that had stood silent and undisturbed ever since the time of their deposition. Here, surely the slumber of all the dead was unbroken, and the nullity of death was inviolate.

  Almost the queen doubted that Thulos had preceded her there; till, turning her light on the ground, she discerned the print of his poulaines, long-tipped and slender in the deep dust amid those foot-marks left by the rudely shod sextons. And she saw that the footprints of Thulos pointed only in one direction, while those of the others plainly went and returned.

  Then, at an undetermined distance in the shadows ahead, Xantlicha heard a sound in which the sick moaning of some amorous woman was bent with a snarling as of jackals over their meat. Her blood returned frozen upon her heart as she went onward step by slow step, clutching her dagger in a hand drawn sharply back, and holding the light high in advance. The sound grew louder and most distinct; and there came to her now a perfume as of flowers in some warm June night; but, as she still advanced, the perfume was mixed with more and more of a smothering foulness such as she had never heretofore known, an
d was touched with the reeking of blood.

  A few paces more, and Xantlicha stood as if a demon’s arm had arrested her: for her lantern’s light had found the inverted face and upper body of Thulos, hanging from the end of a burnished, new-wrought sarcophagus that occupied a scant interval between others green with rust. One of Thulos’ hands clutched rigidly the rim of the sarcophagus, while the other hand, moving feebly, seemed to caress a dim shape that leaned above him with arms showing jasmine-white in the narrow beam, and dark fingers plunging into his bosom. His head and body seemed but an empty hull, and his hand hung skeleton-thin on the bronze rim, and his whole aspect was vein-drawn, as if he had lost more blood than was evident on his torn throat and face, and in his sodden raiment and dripping hair.

  From the thing stooping above Thulos, there came ceaselessly that sound which was half moan and half snarl. And as Xantlicha stood in petrific fear and loathing, she seemed to hear from Thulos’ lips an indistinct murmur, more of ecstasy than pain. The murmur ceased, and his head hung slacklier than before, so that the queen deemed him verily dead. At this she found such wrathful courage as enabled her to step nearer and raise the lantern higher: for, even amid her extreme panic, it came to her that by means of the wizard-poisoned dagger she might still haply slay the thing that had slain Thulos.

  Waveringly the light crept aloft, disclosing inch by inch that infamy which Thulos had caressed in the darkness…

  It crept even to the crimson-smeared wattles, and the fanged and ruddled orifice that was half mouth and half beak…till Xantlicha knew why the body of Thulos was a mere shrunken hull… In what the queen saw, there remained nothing of Ilalotha except the white, voluptuous arms, and a vague outline of human breasts melting momently into breasts that were not human, like clay molded by a demon sculptor. The arms too began to change and darken; and, as they changed, the dying hand of Thulos stirred again and fumbled with a caressing movement toward the horror. And the thing seemed to heed him not but withdrew its fingers from his bosom, and reached across him with members stretching enormously, as if to claw the queen or fondle her with its dribbling talons.

  It was then that Xantlicha let fall the lantern and the dagger, and ran with shrill, endless shriekings and laughters of immitigable madness from the vault.

  THE SALEM HORROR, by Henry Kuttner

  When Carson first noticed the sounds in his cellar, he ascribed them to the rats. Later he began to hear the tales which were whispered by the superstitious Polish mill workers in Derby Street regarding the first occupant of the ancient house, Abigail Prinn. There was none living today who could remember the diabolical old hag, but the morbid legends which thrive in the “witch district” of Salem like rank weeds on a neglected grave gave disturbing particulars of her activities, and were unpleasantly explicit regarding the detestable sacrifices she was known to have made to a worm-eaten, crescent-horned image of dubious origin. The oldsters still muttered of Abbie Prinn and her monstrous boasts that she was high priestess of a fearfully potent god which dwelt deep in the hills. Indeed, it was the old witch’s reckless boasting which had led to her abrupt and mysterious death in 1692, about the time of the famous hangings on Gallows Hill. No one liked to talk about it, but occasionally a toothless crone would mumble fearfully that the flames could not burn her, for her whole body had taken on the peculiar anesthesia of her witch-mark.

  Abbie Prinn and her anomalous statue had long since vanished, but it was still difficult to find tenants for her decrepit, gabled house, with its overhanging second story and curious diamond-paned casement windows. The house’s evil notoriety had spread throughout Salem. Nothing had actually happened there of recent years which might give rise to the inexplicable tales, but those who rented the house had a habit of moving out hastily, generally with vague and unsatisfactory explanations connected with the rats.

  And it was a rat which led Carson to the Witch Room. The squealing and muffled pattering within the rotting walls had disturbed Carson more than once during the nights of his first week in the house, which he had rented to obtain the solitude that would enable him to complete a novel for which his publishers had been asking—another light romance to add to Carson’s long string of popular successes. But it was not until sometime later that he began to entertain certain wildly fantastic surmises regarding the intelligence of the rat that scurried from under his feet in the dark hallway one evening.

  The house had been wired for electricity, but the bulb in the hall was small and gave a dim light. The rat was a misshapen, black shadow as it darted a few feet away and paused, apparently watching him.

  At another time Carson might have dismissed the animal with a threatening gesture and returned to his work. But the traffic on Derby Street had been unusually noisy, and he had found it difficult to concentrate upon his novel. His nerves, for no apparent reason, were taut; and somehow it seemed that the rat, watching just beyond his reach, was eyeing him with sardonic amusement.

  Smiling at the conceit, he took a few steps toward the rat, and it rushed away to the cellar door, which he saw with surprise was ajar. He must have neglected to close it the last time he had been in the cellar, although he generally took care to keep the doors shut, for the ancient house was drafty. The rat waited in the doorway.

  Unreasonably annoyed, Carson hurried forward, sending the rat scurrying down the stairway. He switched on the cellar light and observed the rat in a corner. It watched him keenly out of glittering little eyes.

  As he descended the stairs he could not help feeling that he was acting like a fool. But his work had been tiring, and subconsciously he welcomed any interruption. He moved across the cellar to the rat, seeing with astonishment that the creature remained unmoving, staring at him. A strange feeling of uneasiness began to grow within him. The rat was acting abnormally, he felt; and the unwinking gaze of its cold shoe-button eyes was somehow disturbing.

  Then he laughed to himself, for the rat had suddenly whisked aside and disappeared into a little hole in the cellar wall. Idly he scratched a cross with his toe in the dirt before the burrow, deciding that he would set a trap there in the morning.

  The rat’s snout and ragged whiskers protruded cautiously. It moved forward and then hesitated, drew back. Then the animal began to act in a singular and unaccountable manner—almost as though it were dancing, Carson thought. It moved tentatively forward, retreated again. It would give a little dart forward and be brought up short, then leap back hastily, as though—the simile flashed into Carson’s mind—a snake were coiled before the burrow, alert to prevent the rat’s escape. But there was nothing there save the little cross Carson had scratched in the dust.

  No doubt it was Carson himself who blocked the rat’s escape, for he was standing within a few feet of the burrow. He moved forward, and the animal hurriedly retreated out of sight.

  His interest piqued, Carson found a stick and poked it exploringly into the hole. As he did so his eye, close to the wall, detected something strange about the stone slab just above the rat burrow. A quick glance around its edge confirmed his suspicion. The slab was apparently movable.

  Carson examined it closely, noticed a depression on its edge which would afford a handhold. His fingers fitted easily into the groove, and he pulled tentatively. The stone moved a trifle and stopped. He pulled harder, and with a sprinkling of dry earth the slab swung away from the wall as though on hinges.

  A black rectangle, shoulder-high, gaped in the wall. From its depths a musty, unpleasant stench of dead air welled out, and involuntarily Carson retreated a step. Suddenly he remembered the monstrous tales of Abbie Prinn and the hideous secrets she was supposed to have kept hidden in her house. Had he stumbled upon some hidden retreat of the long-dead witch?

  Before entering the dark gap he took the precaution of obtaining a flashlight from upstairs. Then he cautiously bent his head and stepped into the narrow, evil-smelling passage, sending the flashlight’s beam probing out before him.

  He was in a narrow
tunnel, scarcely higher than his head, and walled and paved with stone slabs. It ran straight ahead for perhaps fifteen feet, and then broadened out into a roomy chamber. As Carson stepped into the underground room—no doubt a hidden retreat of Abbie Prinn’s, a hiding-place, he thought, which nevertheless could not save her on the day the fright-crazed mob had come raging along Derby Street—he caught “his breath in a gasp of amazement. The room was fantastic, astonishing.

  It was the floor which held Carson’s gaze. The dull gray of the circular wall gave place here to a mosaic of varicolored stone, in which blues and greens and purples predominated—indeed, there were none of the warmer colors. There must have been thousands of bits of colored stone making up that pattern, for none was larger than a walnut. And the mosaic seemed to follow some definite pattern, unfamiliar to Carson; there were curves of purple and violet mingled with angled lines of green and blue, intertwining in fantastic arabesques. There were circles, triangles, a pentagram, and other, less familiar, figures. Most of the lines and figures radiated from a definite point: the center of the chamber, where there was a circular disk of dead black stone perhaps two feet in diameter.

  It was very silent. The sounds of the cars that occasionally went past overhead in Derby Street could not be heard. In a shallow alcove in the wall Carson caught a glimpse of markings on the walls, and he moved slowly in that direction, the beam of his light traveling up and down the walls of the niche.

  The marks, whatever they were, had been daubed upon the stone long ago, for what was left of the cryptic symbols was indecipherable. Carson saw several partly effaced hieroglyphics which reminded him of Arabic, but he could not be sure. On the floor of the alcove was a corroded metal disk about eight feet in diameter, and Carson received the distinct impression that it was movable. But there seemed no way to lift it.